Chuck Middlekauff
BoldBrush Recommends: Chuck Middlekauff
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BoldBrush Recommends: Chuck Middlekauff
Biography
Bio - The Quick Read
I do my artwork for the love of it, for the fun of it, and to share what I see and feel. Like Norman Rockwell, one of my many artist heroes, I want others to experience the things of our culture and of days gone by, but in a fresh, exciting, and unusual way.
My passion for the open road, classic rock and roll and country music, and the cultural icons of America (especially the American West) shows up in my paintings. Often focusing on what cowboys do when they're not chasing cows, I set them on fences, playing with a yo-yo or eating M&Ms, wearing dusty jeans and crusty boots.
And sometimes I just paint the jeans and boots. I never know what I'll find to put with them (or sometimes without them): Marilyn Monroe, aging Coke signs, dilapidated billboards, rusty cafe and motel signs, toys, trucks, and cartoons, as long I can paint them old and weathered, full of colors and textures. I might even collage on some real 45 records or a license plate, just for the fun of it.
By combining the past with the present, putting things together that don't necessarily appear together (but they could) and adding touches of humor, even sentimentality, I want my paintings to be fun and surprising (for me and for collectors), and to evoke a rich nostalgia for things that may soon be gone.
I hope viewers will be entertained and reminisce with me as I paint what I grasp from all that nostalgia. The puns and twists in my combinations of shapes, subjects, textures, colors, splatters, drips, art tools, and titles add to the FUN.
It's my unique vision of America.
P.S. Carol and I spend a lot of time on the road, from one end of America the the other and from top to bottom. She loves photography and takes pictures along the way. You'll also see her photographs and a link to her website.
Click this button to choose your painting(s) or one of Carol's photos now.
Read the long version and/or see my Briscoe Museum video below.
Hint: Turn up your volume.
Bio - The Detailed Read
My Early Years
Born in Massachusetts and raised as an "Air Force brat," I rode with my two younger sisters in the back seat of our station wagon on cross-country trips to Dad's new duty stations, treasuring our stops at cafes, gas stations, tourist-trap shops, and classic motels. With each new set of neighborhood kids, I was the young "director" who (inspired by TV and movie Westerns) passed out cap guns and other props for cowboy and Indian games.
Not an Artist Yet
I sort of fell into being an artist later in life. God gave me some talent, so I suppose I could always draw, but aside from the doodles I did to amuse the kids at school, I didn't paint or draw. As a teenager, and still showing no interest in art, I played guitar in a garage band, listened to the Beach Boys, Beatles, and other music, and I sometimes skipped school to observe life firsthand. After high school, I joined the Navy to explore even more of the world.
Four years later, I went home to Austin, Texas, where my parents had retired. Drafting school let me explore some hand skills, and a part-time job at an insurance company led me to Carol. I married her, finished drafting school, and we moved to Colorado. As we began to travel together, my ongoing wanderlust got worse and infected Carol. (We've logged more than a million miles in cars, investigating the corners of the United States and Canada, and more miles camping across Europe on trains.)
The Artist in Me Wakes Up and Goes to School
After a few years as a draftsman in Denver, I enrolled at Metropolitan State College (now University). In my fifth year, desperate to graduate and needing another quick elective, I took a drawing course. But this art class wasn't going to be a slam-dunk. Professor Craig Marshall Smith said, "My grades range from one to ten. And nobody makes tens!" I said to myself, I'll show him. And I actually did make some tens.
After the challenges and inspirations of Smith's class, I changed my major to fine art. Finally graduated, I was convinced that only other people made money as fine artists, so I opted for more schooling and the potential of a real job. On my way to graduating with honors in graphic design from the Art Institute of Colorado, I learned more about concept and design, and how to think outside the box as I worked.
Then, in four years of "real jobs" as a commercial designer in Denver and Los Angeles, I found that coming up with ideas and applying design to them was fun. But the rest of the business was not. In 1988, determined to make it as a fine artist, I quit my job and began exploring subjects and styles.
The Fine Artist
However, getting my work into galleries was another matter. Identifying with something artist John Nieto once said, "I knew I was an artist when I knew there was something special about my work," I understood that getting into galleries could only happen when I thought my artwork was ready.
One day during this seeking process, I ran across a great photo of a cowboy from the knees down. That was it. I started painting fill-the-page close-ups of cowboys, knees-down and otherwise. Eventually, when I thought a gallery director might see that something special, soul, overall appeal, and (overlooking the flaws) energy, that set my paintings apart from something else that might have more technical perfection-but less life-I started approaching galleries.
And several galleries accepted my work-and they began to sell it! So, starting in 1992, I was a working fine artist.
Road-Trip Inspirations
Continuing road trips across America invigorated my romance with the road: wide-open spaces, blue-sky days, the intense light after a summer thunderstorm, rusty windmills, gas pumps, pickups, and Coke machines, neon signs, worn out toys, and weather-beaten murals and barns.
Along the back roads of the West and on Route 66, I linger in small towns or at fairs and rodeos to capture those images in my camera and in my mind. I see that these distinctively American artifacts have textures induced by weathering and years of hard use that are exciting to reproduce.
Besides recreating the details of cowboys, boots, and spurs, my painting hand keeps itching to work on all these other things that make me smile. I have found the rest of my direction and passion. You might call it American Pop Art.
Back in the Studio
In my studio, I crank up music (from Alan Jackson to the Beatles and from the Beach Boys to John Mellencamp), and I paint away. By combining the past with the present, putting things together that don't necessarily appear together (but they could), and by adding touches of humor, nostalgia, and sometimes sentimentality, I reveal my unique vision of America.
Now back in Austin, Carol and I thank God for His saving grace through Jesus. We also thank Him for our talents as artist and author, and we're trying not to disappoint Him.
This artist's life isn't always easy (pay checks can be far apart, and galleries can suddenly change directions), but, thanks to God, and to gallery owners, collectors, and others who encourage me to keep painting, especially Carol (my biggest fan), I get to live my dream.
I also appreciate other artists, whose work I constantly study. I also get to connect with people, in person at gallery and museum shows, and through my paintings (when I'm not there) in galleries across the West. This means that Carol and I still travel a lot-to deliver paintings to galleries and clients at some of the grandest places on earth.
And I'm constantly pinching myself to make sure this story is really about me.
If you're looking for even more details, here's a discussion I had in 2019 with Michael Duchemin, President & CEO of the Briscoe Western Art Museum in San Antonio, TX. You'll find another video discussion with Jeff Donaldson of the Booth Western Art Museum on my Artist Statement page.
Click this button to choose your painting(s) or one of Carol's photos.
When you find your favorite, click on the image to make it bigger and see room views, zoom, and purchase options.
Feel free to contact me.
Or Call the Studio: 940-285-5066
While you're here, I hope you will sign up for my VIP Newsletter so I can keep you posted on new work, events and shows, and maybe a little of what I'm feeling and thinking.
I believe that humanity is meant to experience joy at the deepest levels, and for me some evidence is found in our senses. If we were just meant to live simply as functional beings, then why are there unnecessary extras like color and music? Why do we find pleasure in a sunset or a kiss? This sense of hidden yet discoverable wonder drives me to paint. There is beauty and joy to be found when we look around us.
The natural beauty of the earth is my first love. I receive solace outdoors in holy moments of elusive silence with the wind in my face. I am painfully aware that the noise, pace, and clutter of modern life can isolate us from the experiences of peace, serenity, and humility that come to us when we regard the majesty of our planet. I love to showcase and highlight our environment through landscape, still life, and wildlife art.
While in high school, Jonathan received state and local recognition for his painting. However, he followed other pursuits and dropped art for nearly 20 years most of which was spent living outside the United States.
Over the past two decades, Jonathan has visited nearly 40 countries. He and his family have lived in Turkey, Jordan, and Israel for more than 10 years. Additionally, he has spent significant time in Canada, Japan, and the United Kingdom. Though Jonathan wasn't painting, he took many thousands of photos on his travels. These and other experiences inform his art today.
Jonathan's first love in paint was watercolor, but, today, Jonathan works in both watercolor and oil (and is dreaming of linocut printmaking).
In university, Jonathan earned a BA in English Literature and an MA in Spiritual Formation. He and his wife, Corrie, have four wonderful children. Jonathan's other interests include travel, literature, hiking, scuba diving, finger-style guitar, Atlanta Braves baseball, and Alabama football and basketball. (He also secretly likes NASCAR.)
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Nice article. Parallels to my own art story; moved away, art came after a career. Travel with spouse. The world around us poured into our paintings. Best of luck from San Angelo!